最后的科学怪人电影免费高清在线观看全集。
This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects. comments from imdb: This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 10/10 Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks". Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
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博士,人造人,超人类,人类,死吧教。。。
日恐科学怪人!有了
如果人类不得不以非人的方式存活下去,那么人的意义在哪里呢
没意思!
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人体试验之类的电影,有点没看懂,还可以
又是一部典型的具有世纪末氛围和世纪末思维的电影。三位人造人表现出的反抗与自刅的行为都表明他们完成了由人造人向拥有一部分人类意志的脱人类转化的过程。但结尾描绘的几乎是一种独属于大和式的、追求绝对纯粹与理想主义的结局形态。(ps:据我所知,当时沉迷于这种风格影视作品的导演,多半都有地下文化的血统。特别是得知这部电影的导演是川村毅之后,再结合其卡司之强大,更印证了这个想法。)
日恐啊这是,看起来挺稀有的,收藏为主
keep calm and commit suicide
保存有
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一面是人类的「集体自杀」还是对自身的厌恶,一面又是对「生命」复活的超能力,日本亚文化与审美环境下的重制「科学怪人」非常形式主义,同时又被自娱自乐与某种无法理解的「表现/表达主义」,成为一种「开放垃圾场」式的折磨。