很喜欢这部电影,假如活着是无意义的,那还有没有必要活下去,这个问题很多人讨论过,如加缪的西西弗斯。但是对我来说,假如可以无意义的活着,那不是最开心的事情?因为我们小时候就是无意中的活着,然后想尽办法制造乐趣。反而是长大之后成为了劳动力或者资本家,不是剥削就是被剥削,强行给你带来了意义。所以我觉得,无意义本身就是最大的意义,像一个沙盘游戏一样自娱自乐,发明各种玩法。而现代人不是忙于996就是时间被碎片化,都有没时间去想人生无意义这件事。这本电影里面的角色,看起来都不需要劳动,都有家人撑腰。女主想尽办法用流血的方式来制造性快感,从不顾虑太多。男主开车自杀,随意调戏路边失恋女人,甚至去精神病院,也是为了好玩。他们不需要劳动,不需要想明天怎么办,对这个世界最大的善意就是答应大夫活到到元旦,我觉得英特纳雄耐尔在这座精神病院里可以实现。
Rachel Row: Why do you want to die?
Jonathan: I don't want to die, I just don't want to be alive.
Jonathan: See, Dr Figure was a no-medication type of guy and all the hard core suicidals in his group - now including myself - had agreed not to kill or harm themselves before January 1st. I mean, can you imagine someone dead, hanging from the light fixture in their room, thinking, If my doctor finds out about this, I'm FUCKED."
Dr. Figure: What would you do if you were allowed home for the afternoon?
Jonathan: [inhales] Get a decent cup of coffee then I'd chop me head off with a chainsaw.
Dr. Figure: Okay. Uh - uh, just one thing. I wanted to propose something. It's like a pledge between doctor and patient. We nominate a day, like three weeks from now - like New Year's Day - and you mustn't harm yourself until that day. You have to stick to it. What do you think about that?
Jonathan: Yeah, I think it's a fuckin' ridiculous idea.
Dr. Figure: It's been known to work.
Jonathan: It won't work.
Dr. Figure: Might. Why don't you think about it?
Jonathan: Okay, hang on.
[sarcastically]
Jonathan: Um, I've thought about it. Fuck, you made a medical breakthrough. Well done, Doc.
Dr. Figure: Okay, well, we'll talk about it more after the session.
Jonathan: Well, you've given me the will to live and I want to thank you for that.
Dr. Figure: Then, after that, I will show you the benefits of being more sparing with your sarcasm. Okay? See ya.
Jonathan: Fuck you.
[leaves]
Jonathan: I know more about the business of suicide in my baby finger, than you do in all your years of training and Freud reading. I gurran-fuckin'-tee ya that.
[after Toby has killed himself]
Jonathan: You can never really know what was going through a person's mind at that exact moment. If they survive, they'll never tell you. If they succeed, all you can do is spend the rest of your life feeling guilty. You're only concern can be for the people they leave behind. They're the ones to look out for.
Rachel Row: It's beautiful here.
Jonathan: Can't take all this on your own.
Rachel Row: So you are all good now? Too many near death experiences you are beginning to think twice.
Jonathan: You wanna know the truth? If it's a matter of life and death between people like you and me, then I want to outlive you. And I want to see what happens to you. 'Cause I like ya.
Rachel Row: I don't know.
Jonathan: What if we are still together in a year?
Rachel Row: Would we be?
Jonathan: I can see it happening.
Rachel Row: I don't know. So do you think you love me?
Jonathan: I know I love you.
1.很喜欢电影的简介,跟一姑娘怎么怎么,吧啦吧里,很随意,很舒服,这分明是一部让你珍惜生活的电影。我也觉得这是电影的正确打开方式,为什么国内拍不出这样的电影,翻拍也行,但回头看看现在的演员,好演员基本都中年,新演员...
2.一个不是患者的患者进入了精神病院和一群精神病人做了朋友,墨菲的角色很随性随和不羁,演员太好了,眼神很有神,心里埋了很多感情假装什么都不在乎。男二临死前跟他说“别让别人影响到你,你他妈的就是一个cool man"。女性角色很适合郭采洁啊,脆弱内敛的人,这电影的角色真的太真实了。
3.这种电影画风爱尔兰的感觉,很舒服,就是有一种电影的质感,建议出一个爱尔兰滤镜。
4.在男女主第一次嘴巴出血以后的亲密接触,拍的太迷人了,节奏,距离感,心动。
5.男二在车上说自己故事的时候出奇的安静,这种处理太棒了,越是煽情越让人讨厌,静静地叙述是最棒的表达方式,另外演技很棒。而在男主和保龄球神经病对峙响起轻轻的忧伤的音乐,不揣测为什么响,但太棒了。
6.电影把人物之间的感情都处理的很隐晦,轻描淡写,这在一定程度上更打动人。
7.结尾,那个老太太说“我在这里很久了”,什么意思没明白,男主去悬崖边救了女主,回过头在冷饮店买了两个雪糕相拥哭泣,所有的隐埋的痛苦的情绪在这一刻倾泻。
8.《last flowers》这首歌莫名觉得和这电影很配。
9.三个角色在都有个人的长镜头叙说自己,女主说自己的那段很动人,最后的晚安都..
10.很强的情绪都被导演捆住在细水长流的放出来,迷人。
加州小镇的中下层社区,年轻人生活空虚,缺乏正当娱乐,于是转向摇滚乐、迷幻药和性发泄寻求满足。 当地警察意图扫荡孩子们的毒品交易,卡尔深受困惑,于是跑去找小无赖里奇帮忙,因为他有枪。 不料事情发展越弄越糟糕,暴力事件一发不可收拾
这一部关于抑郁、自杀,以及爱与救赎的电影。 整部电影呈现出了一种灰暗的色调。苦闷,压抑,阴冷,绝望。 然而,从男主偷了一辆自行车一路狂奔,男医生打电话请门卫放行任由他奔向悬崖时(那一刻我猜想他一定是要奔向悬崖),眼泪就开始止不住了。 一种感动缓缓涌来,直至汹涌澎湃。这种观影的快感一直持续到影片的结束,让人久久无法自拔。 电影的艺术魅力在这里展露无疑。 推荐您看这部电影《叛逆边缘》,相信你看过之后,不会失望的。
四星给电影,一星给OST。三个主角都很美,漫不经心的腔调和有些神经的对白,刺猬拖鞋开始和橙色冰激凌结尾。
I DONT WANT TO DIE I DONT WANT TO BE ALIVE
我不想死 只是不想活
o o o....Cillian.......
空虚 也好神经 赞一个 爱死他了
“我的小拇指对自杀的了解,比你读了十年的书还多”。我爱这样的电影。
一直想看这个电影,结果是我失望了。我以为是跟摇滚和青春相关的电影,而实际上却是和美和多愁善感,探讨在死亡与爱的电影。电影开始我太喜欢,美和放荡。直到后来讲述的全是他在精神病院里的故事,我就感觉被束缚住了,真心喜欢他们偷偷溜出去的瞬间。看来我的的确确是不甘寂寞的人。
3.5
当他骑着自行车,飞快地穿梭在街道上,那个背景音乐很好听呀~
Cillian Murphy美的发光了
生无可恋,或许是因为自己最爱或最爱自己的那个人不在了,心灵的滋味再没有人与自己品赏。而重新热爱生活、热爱生命的途径或许就是重新遇见一个爱的人。
I wasn't want to die, I just doesn't want to live
三个猪脚都好好看啊~
you are not what people think you are,don't get fucking cornered by other people and what they expected you to do.【JJ太让我心碎了,模仿爱尔兰口音好惊奇,不过讲弟弟故事那里的口音好奇怪的感觉
如果我们对彼此真的这么重要,那我要活的比你长,我要看你过的好不好,因为我喜欢你。OOOOOST大加分!!
截至1700部,私人最爱的电影。不仅仅是因为Cillian Murphy,不仅仅是因为爱尔兰。少年开着偷来的车载着父亲的骨灰盒随着拉威尔的华尔兹冲下悬崖,只折伤了小指。他绝口不提为什么。|前几天重看,开场他从教堂出来后单车上路,远景的蓝色穹顶我现在每天都会经过。CM是我来爱尔兰的原因之一。
没有字幕,看的云里雾里T T不过墨菲的演技真好,他的眼睛诉说着千言万语=3=
对于那些很重的事,我不知道怎么去说。我不知如何告诉你,为什么这一部对我这么重要。不仅仅因为Cillian Murphy。那一年,在那一天之前的一个月,所有的事像一个铺垫,一个预告。然后事情发生了。三年后,回过头看,脉络清清楚楚,除你所经历过的,没有别的路可走。一次一次,反复看1979背景音那一段。
约翰·卡尼的第一部长片。迷茫的青春,伴随着碎瓜颓唐散漫的旋律。基里安·墨菲实在太适合演这种神经质的爱尔兰男孩。影片跟林克莱特的《年少轻狂》类似,都感觉是生错了时代,应该再早十年出现才对……
开头不到两分钟音乐一出来我就激动了。OST很赞,当然电影也很赞。七八分钟时候的倒镜头,驶向山崖的那一跃。故事的结尾,他牵起她的手离开了悬崖。他买了两只橘红色的雪糕,那是他曾经的许诺。他抱住哭泣着的她,他们吃着雪糕慢慢走远。