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该季依旧以Pfeffermans一家为主角。故事延续第一季时间线，Mort的大女儿Sarah终于决定与女友Tammy结婚，并举办了一场盛大的白色婚礼。走近中医白莲花度假村 第二季猎梦人铁蹄下的村庄缚爱之约第二季联合王国硅谷第五季九一神雕侠侣无谓的心被遗忘的海角只有为你温柔的背后胜者即是正义SP爱上男主播两厢情愿癫佬正传大力神(普通话版)地穴恶魔远大前程不良番长 野良犬机动队活佛济公2孙悟空三打白骨精我的姐姐2021芙蓉女有房有车第三季湖泊的传说最后的美洲豹一夜情倒数三秒爱上我生死竞赛 3狗咬狗(普通话)我的女友是机器人僵尸少女大唐小娘子第二季三少爷的剑 三少爺的劍青蛇之万兽城传教士 第一季忌怪岛追债大乱斗扎克·埃夫隆带你闯世界 第二季世界上最著名的列车
该季依旧以Pfeffermans一家为主角。故事延续第一季时间线，Mort的大女儿Sarah终于决定与女友Tammy结婚，并举办了一场盛大的白色婚礼。走近中医白莲花度假村 第二季猎梦人铁蹄下的村庄缚爱之约第二季联合王国硅谷第五季九一神雕侠侣无谓的心被遗忘的海角只有为你温柔的背后胜者即是正义SP爱上男主播两厢情愿癫佬正传大力神(普通话版)地穴恶魔远大前程不良番长 野良犬机动队活佛济公2孙悟空三打白骨精我的姐姐2021芙蓉女有房有车第三季湖泊的传说最后的美洲豹一夜情倒数三秒爱上我生死竞赛 3狗咬狗(普通话)我的女友是机器人僵尸少女大唐小娘子第二季三少爷的剑 三少爺的劍青蛇之万兽城传教士 第一季忌怪岛追债大乱斗扎克·埃夫隆带你闯世界 第二季世界上最著名的列车
长篇影评
1 ) 性别不是标签
被这部剧种草是因为纽约客年底总结2015最惊艳美剧的一份list 排名第一的就是Transparent 然后我就开始看了 然后我就停不下来了 看第二季之前在豆瓣上搜着看了一些瓣友的评价，所以我是被剧透地看完的第二季。即使是这样，第九集最后Ali举着一盏油灯穿越树林，过去与现在的时空突然开始交错，最后重合，再加上空灵BGM的衬托，还是棒到让人想哭，直呼神作啊神作。 我对女权主义运动的发展和现状了解不多，更谈不上深刻，所以只能站在观众的角度来谈谈这部剧令我感受最深刻的一点。 Mort在coming out之前参加过一个变装营，后来他发现那里的人只是有异装癖，他们认同自己的性别，并且觉得想要变成另一个性别的人很恶心；后来Mort变成了Maura，和女儿们一起参加了女性音乐节，那里的人只要看到男人出现，她们便高喊"Men on the land!" 就像是自己生活的星球被其他物种入侵。再一次，Maura被这个团体排除在外。显然，作为Trans的Maura找不到能够接纳自己的地方。 在我们生活的这个世界，有无数种用来划分人类的所谓标准：国籍，种族，肤色，语言，思想观念，当然还有性别。我们像商店里被划区的商品一样，往这些标准各自搭起的柜子上跳。我们从出生开始，就不停地给自己贴标签——我属于这个国家，我属于这个民族，女人/男人们是我的同胞，他们的利益就是我的利益，剥夺了他们的权利就是在剥夺我的权利。这种归属感像宗教上的某种指引一样，无时无刻不在对人发号施令。不容许神圣的归属感被亵渎的人类自然而然会本能地排斥自己团体之外的人，更不用提会对自己的利益造成威胁的人。人是自私的，但一群人在一起自私，就阻断了所有平等、和平的可能性。 女权主义运动胜利的标志究竟是什么，我认为是实现男女真正的平等。而所有的标签和标准都是极其愚蠢的，性别的不同不该被放大，最终成为互相伤害的武器。女权运动不应该被性别本身标签化，更不应该被性别束缚。
2 ) spoon me
小时候看的动画，小蝌蚪找妈妈。蝌蚪本身是没有父母概念的，看到别的动物和父母在一起，产生了对自身来源的疑惑，于是开始了它的寻找路程。在一路上，一边接受各方给予它的关于母亲的信息，一边变态发育，最终，与母亲相遇，完成了自我。
而真正的人生更具有张力。人类自出生起，面对父权与母权便展开了一场逃离。逃离是否是另一种回归。
一面追求自我、自由与尊严，作为生命的反抗；离婚、出柜、变性，挑战命运；另一面，滋养与慰藉，诉诸家庭与宗教，无法避免地渴望来自古老的共同的联系的拥抱；规训、爱与安全感。
一种永恒的矛盾。
而真正的人生更具有张力。人类自出生起，面对父权与母权便展开了一场逃离。逃离是否是另一种回归。
一面追求自我、自由与尊严，作为生命的反抗；离婚、出柜、变性，挑战命运；另一面，滋养与慰藉，诉诸家庭与宗教，无法避免地渴望来自古老的共同的联系的拥抱；规训、爱与安全感。
一种永恒的矛盾。
3 ) The Crazy of the Pfeffermans
The Pfeffermans are out of their minds. They literally shed themselves, heaps of souls on the floor, and out stepped the carefree, fun-seeking, trans-formed Pfeffermans. We can now binge-watch how they live their crazy to the fullest in Amazon original series, Transparent, thanks to the wonderful Jill Soloway.
First, it was crazy of a natural, familiar dose, like bickering over dinner while chewing Canter’s Deli barbecue ribs, but as the show spirals, it keeps bringing the game to new jaw-dropping levels. Former “poppa” of the family, Morton came out as a transgender, and has been reborn as “moppa” Maura; Sarah, the eldest sibling, divorced her husband for a dalliance with her college girlfriend; Josh, her younger brother, kept on impregnating women and losing his jobs thanks to numerous panic attacks; and Ali, the youngest and the craziest, dabbled and dived in drugs and lesbianism. The off-the-charts crazy detailed in sometimes too sexually graphic ways can be startling, but their crazy never rang hollow. It usually precedes irredeemable screw-ups in parenting, break-ups, sobbing in the restroom stall, or outbursts of road rage, and lives on a dangerous amount of egocentrism until there isn’t any.
I recognize some of their crazy. I live some versions of their crazy. I shivered when Maura acquiesced that she blackballed female applicants in grad school, and despite her gender identity, still refused to let go of the entitled, sexist Morty she was born as, or when Ali tried to talk her girlfriend into polyamory just to act on her infatuation towards her teacher (“What is being queer if not questioning everything?” she said, and by “everything” she meant, and I quote, “knee-jerk hetero-normative”), for I react just as badly towards ugly revelations, and bear the same lingering inconsistency. Even more frequently do I stumble to discover that I often feel lonely, from either getting my heart broken more than it should, or a lack of companion to help me stride forward, as do the characters, chugging tumblers of vodka, exchanging static eye contact with Chinese takeout in the microwave. Jill paints the life of a daring family where the audience could cull out and contemplate over their worst nightmares, but feel safe getting vulnerable along with the Pfeffermans. I, apart from all that, find her works rather intimate from where I stand. She’s trying to explore life’s infinite mutability through her feminine gaze. So am I.
First, it was crazy of a natural, familiar dose, like bickering over dinner while chewing Canter’s Deli barbecue ribs, but as the show spirals, it keeps bringing the game to new jaw-dropping levels. Former “poppa” of the family, Morton came out as a transgender, and has been reborn as “moppa” Maura; Sarah, the eldest sibling, divorced her husband for a dalliance with her college girlfriend; Josh, her younger brother, kept on impregnating women and losing his jobs thanks to numerous panic attacks; and Ali, the youngest and the craziest, dabbled and dived in drugs and lesbianism. The off-the-charts crazy detailed in sometimes too sexually graphic ways can be startling, but their crazy never rang hollow. It usually precedes irredeemable screw-ups in parenting, break-ups, sobbing in the restroom stall, or outbursts of road rage, and lives on a dangerous amount of egocentrism until there isn’t any.
I recognize some of their crazy. I live some versions of their crazy. I shivered when Maura acquiesced that she blackballed female applicants in grad school, and despite her gender identity, still refused to let go of the entitled, sexist Morty she was born as, or when Ali tried to talk her girlfriend into polyamory just to act on her infatuation towards her teacher (“What is being queer if not questioning everything?” she said, and by “everything” she meant, and I quote, “knee-jerk hetero-normative”), for I react just as badly towards ugly revelations, and bear the same lingering inconsistency. Even more frequently do I stumble to discover that I often feel lonely, from either getting my heart broken more than it should, or a lack of companion to help me stride forward, as do the characters, chugging tumblers of vodka, exchanging static eye contact with Chinese takeout in the microwave. Jill paints the life of a daring family where the audience could cull out and contemplate over their worst nightmares, but feel safe getting vulnerable along with the Pfeffermans. I, apart from all that, find her works rather intimate from where I stand. She’s trying to explore life’s infinite mutability through her feminine gaze. So am I.
4 ) 没有家人的透明家庭
处理的比第一季还要细腻 每个人的情绪都被放大了 但是不得不说 这个家庭的每个人是不被人爱的 每个人都有心底创伤 敏感的老小很受周围人的影响 矫情任性的大姐觉得可以随意伤害别人 到处跟别人说自己是缺乏母爱的祈求可以被原谅被爱 这是最不讨喜的角色 Moppa从心底里害怕外界对自己的看法 一点点小事情都会被放大成对自己的偏见 既然做出了改变 却不敢走的更远 很喜欢很喜欢片头 每次看都会觉得回到那个时代 每个时代都在追求自由 权力 但是 希望是在不伤害他人的基础上吧
5 ) It's beautiful and you are beautiful
Just some notes and thoughts of the series after the binge-watching.
Since I did not watch the Emmy Awards ceremony last year, I had no idea of the show before and didn’t expect all this either. Generally, it's wilder and more independent and natural than other TV series.
Get quite impressed at start and finally, touched. Just as one critic says: it’s groundbreaking.
As for the title, certainly it refers to the journey of coming out, secrets revealed. But gradually you’ll break it down to “trans” and “parent”. What a clever use of pun! Must be a challenge for translation.
The creator of the show describes it as “funny, dirty, and sad”. It’s more than accurate. For instance, I really didn't mean to laugh but it just gets hilarious, even hysterical at some point.
It’s an Amazon original series and according to the series creator, the reason of choosing Amazon instead of HBO or Showtime is that there’s more openness of procedures. For example, too many adjustments of the original transcripts can be avoided and it will be on air in a short time.
Key Words: LA, religion, gender, sexuality, feminism, marriage, family, identity, secrecy, relationship, boundary.
1.Judaism
Before the series, the only thing I might know about Jewish customs is the Passover and Seder, a festival to commemorates the story of the Exodus. While the series just offers a great chance to get to know the Jewish customs.
<Bar Mitzvah is the coming of age ceremony in which boys become the son of the commandment at 13 while girls at 12. So when Ali said she didn’t believe in God, her Bar Mitzvah was cancelled.
Yom Kippur is the holiest day of the year also known as the Day of Atonement coming with fasting and prayer. The appropriate greeting on this occasion is good Yontif.
Shiva is the week-long mourning period in response to the story in Genesis in which Joseph mourns the death of his father Jacob (Israel) for seven days. At the funeral, keriah is a ritual to tear an outer garment, which explains why Ali cut her necktie after the funeral of Ed. In the household, mirrors are covered during the Shiva, which is also a tradition shared by many nations.
The traditional Jewish wedding includes a ketubah (marriage contract) which is signed by two witnesses, a wedding canopy (chuppah or huppah), a ring owned by the groom that is given to the bride under the canopy, and the breaking of a glass. All of these are vividly depicted in the show and the Jewish songs and dances just appear to be really exotic. This wedding scene at the beginning of the second season is genuinely epic.
A rabbi is a teacher of Torah and the skullcap they wear is called kippah or yarmulke in Yiddish.
Sabbath is the seventh day of the Hebrew calendar week, which in English is known as Saturday.
Jewish Shabbat/Shabbath is a weekly day of rest, observed from sundown on Friday until the appearance of three stars in the sky on Saturday night.>
BTW, it’s the first time that I have found Jewish people so adorable and lovely on the screen (no offence). And when Sarah shouted "those WASPs" on her wedding day, the great rift between religions suddenly become obvious than ever, while I just couldn't help but laugh.
2.Family
The Pfefferman is a complicated family. They do not appear to be likeable, but you just cannot deny they are special and have a big heart. Just as Ali says, there is a great chasm in her family and it’s a house full of secrecy. It has three self-absorbed adult children and the parents also seem to be irresponsible despite their wealth and social status. They fight constantly but in the end they always get together. They are in the middle of family reconstruction.
3.Gender
It’s worth mentioning that It’s Jill Soloway who created this brilliant show. And she is a Jewish, a feminist and a lesbian, or rather, just being Jill Soloway. The story of the show is also partly based on her own family and her father coming out as a trans. Jill takes it as her “creative destiny” to display the experience of her family on screen.
The show is basically a lively community of LGBT, and people may dislike it because it’s full of drama or simply too unrealistic, but the incredible part of the show really lies in the potential possibilities it presents us. We have the choice to be a male, female, or gender-neutral; we are free to be asexual, bisexual, heterosexual or homosexual; we can just decide who to marry and remarry.
Since we all hate to fall into the situation of stereotypes or over-generalization, it’s very hard to make definitions or pin someone down with a label sometimes. Hence the definition and relation of gender, sexuality and marriage is simply not limited by one set of rules or modes. It’s kind of a discussion of power, rights, and possibly the morality. And in my opinion, from the standpoint of an individual, it all comes down to the point that we should have the freedom to choose and become who we really are, and to do what we really like without asking for the permission from others.
Having too many alternatives doesn’t always lead to wise decisions, but still we have to admit diversity is the essential part of the evolution of nature as well as our own development.
As I watch it, I’m in the same process of confusion and trying to understand them. But it’s really hard to imagine and put yourself in their shoes if you haven’t shared their experience before.
<Transvestism is the practice of dressing and acting in a style or manner traditionally associated with the other sex.
Cross-dressers are men who wear female clothing and often both admire and imitate women, but self-identify as different from both gay men and transsexuals, and generally deny having fetishistic intentions.>
BTW, too much nudity might be one of the few uncomfortable parts of the show, and Jill herself also acknowledges it’s meant for the commercial reasons.
4.Identity
It’s never a complete story without sadness. Here, the death of Ed is sad, and seeing grandma sitting in the nursing home is sad. I guess it’s always sad to witness the loss of memory. It feels like you are losing yourself piece by piece and there is merely no way to fight against it. Still, without any doubt we spend all our life trying to find who we are despite the frustration and disappointment along the way or in the end. Just as Maura says, it’s OK to be sad.
LA is the ideal place for dreaming and becoming, living in the breeze under the sunshine. The feisty and vulnerable Pfefferman are stepping on a journey of healing and becoming, of learning and growing, and of experimenting and loving.
On this long road, probably the best thing we can say is: "I've always known you; I've always loved you; of course I still love you."
Reference:
http://www.npr.org/2014/10/30/360116374/funny-dirty-sad-the-holy-trinity-for-transparent-creator-jill-soloway#
http://www.imdb.com/title/tt3502262/?ref_=nv_sr_1
//en.wikipedia.org.
Some new words:
limerence
sinsemilla
bidet(oscillate, pulsate)
mercury retrograde
hermaphrodite
scallop
wonky
speck
turret
absolve
heathen
vagabond
pariah
gander
mahogany
tangy
lupus
shingle
palisade
cantaloupe
Since I did not watch the Emmy Awards ceremony last year, I had no idea of the show before and didn’t expect all this either. Generally, it's wilder and more independent and natural than other TV series.
Get quite impressed at start and finally, touched. Just as one critic says: it’s groundbreaking.
As for the title, certainly it refers to the journey of coming out, secrets revealed. But gradually you’ll break it down to “trans” and “parent”. What a clever use of pun! Must be a challenge for translation.
The creator of the show describes it as “funny, dirty, and sad”. It’s more than accurate. For instance, I really didn't mean to laugh but it just gets hilarious, even hysterical at some point.
It’s an Amazon original series and according to the series creator, the reason of choosing Amazon instead of HBO or Showtime is that there’s more openness of procedures. For example, too many adjustments of the original transcripts can be avoided and it will be on air in a short time.
Key Words: LA, religion, gender, sexuality, feminism, marriage, family, identity, secrecy, relationship, boundary.
1.Judaism
Before the series, the only thing I might know about Jewish customs is the Passover and Seder, a festival to commemorates the story of the Exodus. While the series just offers a great chance to get to know the Jewish customs.
<Bar Mitzvah is the coming of age ceremony in which boys become the son of the commandment at 13 while girls at 12. So when Ali said she didn’t believe in God, her Bar Mitzvah was cancelled.
Yom Kippur is the holiest day of the year also known as the Day of Atonement coming with fasting and prayer. The appropriate greeting on this occasion is good Yontif.
Shiva is the week-long mourning period in response to the story in Genesis in which Joseph mourns the death of his father Jacob (Israel) for seven days. At the funeral, keriah is a ritual to tear an outer garment, which explains why Ali cut her necktie after the funeral of Ed. In the household, mirrors are covered during the Shiva, which is also a tradition shared by many nations.
The traditional Jewish wedding includes a ketubah (marriage contract) which is signed by two witnesses, a wedding canopy (chuppah or huppah), a ring owned by the groom that is given to the bride under the canopy, and the breaking of a glass. All of these are vividly depicted in the show and the Jewish songs and dances just appear to be really exotic. This wedding scene at the beginning of the second season is genuinely epic.
A rabbi is a teacher of Torah and the skullcap they wear is called kippah or yarmulke in Yiddish.
Sabbath is the seventh day of the Hebrew calendar week, which in English is known as Saturday.
Jewish Shabbat/Shabbath is a weekly day of rest, observed from sundown on Friday until the appearance of three stars in the sky on Saturday night.>
BTW, it’s the first time that I have found Jewish people so adorable and lovely on the screen (no offence). And when Sarah shouted "those WASPs" on her wedding day, the great rift between religions suddenly become obvious than ever, while I just couldn't help but laugh.
2.Family
The Pfefferman is a complicated family. They do not appear to be likeable, but you just cannot deny they are special and have a big heart. Just as Ali says, there is a great chasm in her family and it’s a house full of secrecy. It has three self-absorbed adult children and the parents also seem to be irresponsible despite their wealth and social status. They fight constantly but in the end they always get together. They are in the middle of family reconstruction.
3.Gender
It’s worth mentioning that It’s Jill Soloway who created this brilliant show. And she is a Jewish, a feminist and a lesbian, or rather, just being Jill Soloway. The story of the show is also partly based on her own family and her father coming out as a trans. Jill takes it as her “creative destiny” to display the experience of her family on screen.
The show is basically a lively community of LGBT, and people may dislike it because it’s full of drama or simply too unrealistic, but the incredible part of the show really lies in the potential possibilities it presents us. We have the choice to be a male, female, or gender-neutral; we are free to be asexual, bisexual, heterosexual or homosexual; we can just decide who to marry and remarry.
Since we all hate to fall into the situation of stereotypes or over-generalization, it’s very hard to make definitions or pin someone down with a label sometimes. Hence the definition and relation of gender, sexuality and marriage is simply not limited by one set of rules or modes. It’s kind of a discussion of power, rights, and possibly the morality. And in my opinion, from the standpoint of an individual, it all comes down to the point that we should have the freedom to choose and become who we really are, and to do what we really like without asking for the permission from others.
Having too many alternatives doesn’t always lead to wise decisions, but still we have to admit diversity is the essential part of the evolution of nature as well as our own development.
As I watch it, I’m in the same process of confusion and trying to understand them. But it’s really hard to imagine and put yourself in their shoes if you haven’t shared their experience before.
<Transvestism is the practice of dressing and acting in a style or manner traditionally associated with the other sex.
Cross-dressers are men who wear female clothing and often both admire and imitate women, but self-identify as different from both gay men and transsexuals, and generally deny having fetishistic intentions.>
BTW, too much nudity might be one of the few uncomfortable parts of the show, and Jill herself also acknowledges it’s meant for the commercial reasons.
4.Identity
It’s never a complete story without sadness. Here, the death of Ed is sad, and seeing grandma sitting in the nursing home is sad. I guess it’s always sad to witness the loss of memory. It feels like you are losing yourself piece by piece and there is merely no way to fight against it. Still, without any doubt we spend all our life trying to find who we are despite the frustration and disappointment along the way or in the end. Just as Maura says, it’s OK to be sad.
LA is the ideal place for dreaming and becoming, living in the breeze under the sunshine. The feisty and vulnerable Pfefferman are stepping on a journey of healing and becoming, of learning and growing, and of experimenting and loving.
On this long road, probably the best thing we can say is: "I've always known you; I've always loved you; of course I still love you."
Reference:
http://www.npr.org/2014/10/30/360116374/funny-dirty-sad-the-holy-trinity-for-transparent-creator-jill-soloway#
http://www.imdb.com/title/tt3502262/?ref_=nv_sr_1
//en.wikipedia.org.
Some new words:
limerence
sinsemilla
bidet(oscillate, pulsate)
mercury retrograde
hermaphrodite
scallop
wonky
speck
turret
absolve
heathen
vagabond
pariah
gander
mahogany
tangy
lupus
shingle
palisade
cantaloupe
6 ) OrangeMelancolique——只是人类永恒而强烈的归属需要
虽然任何具象的表达，文字、语言，都无法呈现<transparent>给我的感受，它让我感受如同庆典的烟花爆炸，就像感性认识被无限放大，促使我必须用某些方式表达，即使凌乱、浅显、毫无逻辑、毫无美感。
观望本剧，看到的并不是美，而更可能是琐碎、轻浮、纵欲甚至毫无意义。剧中的人物缺少追求，不明白自己的需要，甚至不了解自己，只会让生活持续恶化，直到一切紊乱不堪然后继续前进。人们在与他人的碰撞之中感受自己，他们推开身边的人，同时又与他人相互依偎。transparent中的角色是混乱的。 第二季中随着Ali出柜，对女性主义更加聚焦。第9集中Ali、Sarah与Maura参加一个在树林之中举办的女同音乐节，那里似乎是天堂。这个环境里，女性得以从男性世界中抽离，使用自己的话语，建构自己的社会规则，掌握话语权。女人们袒露胸部，饮酒高歌，但同时这里的边缘棱角也开始显露，"woman born woman"的口号让女人团结而坚强，却抹杀了多样的可能，Maura的存在瞬间被边缘化了。又一次，她刚刚寻得的归属感荡然无存，又一次显得格格不入，想到第一季中的闪回，多年前年轻的Maura(那时还是Mort)以为自己找到了与自己相投的群体，却发现他们其实只是热爱异装，他们对自己男性身份有着明确的认知，跨性别者在那里是“恶心”的，她不得不伪装自己。可这一次，她被自己本应归属的群体所排斥，即使她没有暴露，她已经被驱逐了。当男清洁工出现时，场地响起此起彼伏的呼喊"Man on the land!"，Maura内心的恐惧是无以名状的。每一个人都是Maura，就像诞生之时的我们洁白无瑕，成长的过程中我们形成意识，形成对自己的认知，发现自己的存在。于是我们一生都在寻找自己归属的群体，只因为我们为自己的独特所恐惧。 许多女性主义流派都难以摆脱本质主义的枷锁，甚至致力于主张两性根本上的分歧，沉浸在性别划分当中。什么是女人，女性在为平权做着斗争时缺失了对女性概念的宽容，这对女性运动几乎无影响，而这个灰色地带却是Maura这样的性少数者的地狱，她参与群体的平权活动，却根本不为这个群体所接受。借篝火边的控诉，她们说，男变性者接受的是随着阴茎而来的社会特权，握有话语权，不管变性与否，其特权地位和其自身的痛苦是无关的。世界各种平权运动，无非是少数者对多数者的呼喊，渴望被多数者所容纳。 这一季非常特别的一点，是加入了纳粹前夕的柏林之线，一个性倒错者的伊甸园，这条线牵扯的不只是Pfeffermans一家的前世今生，更是两厢对照。彼时，直到纳粹到来之前，这是一个包容的世界，人们大胆体验，拥抱自由，而80年后的美国，人们仍在身份认同上挣扎，更别说放眼世界。我们身上的枷锁存在了太长时间，以至于是否想要将其打碎，都成了一个问题。我是谁，因为我是谁所以我应该成为谁，成为谁所以我应该做什么，这一系列问号早在出生那一刻就被人打上了句号，这就是“自由意志”最想要拆解的本质的禁锢。 剧里有一种我一直在寻找的，无法被电影取代或者超越的电视的诗意。 拒绝本质主义。 (未完待续
【度 /s/1hsx5FpU 码 va1x 究竟】
Is getting old already
Audacious!【最愛第九集。
情事和这部剧是我如今在追的最赞的美剧 第一季一口气看完的 第二季第一集以婚礼开场 结尾的长镜头太棒了！
Too much drama 但停不下来啊
一个连几百集的电视剧都非得从第一季第一集开始看的人，下了这部剧看到最后一集才发现自己下错了资源直接从第二季开始看起了，大家体会一下这种崩溃的心情
角色性格的发散和给三兄妹的配对让第二季比第一季更完整，到最后三个人躺在床上一起失恋的时刻很甜很柔和。围绕“Maura”在选择性别的讨论之外，Michaela Watkins牵起的往事线也在本季的最后一刻和主线故事交融。跨越时空跨越情境，那种抉择的勇气和表达自我的权利早已在Pfefferman一家的血液里流淌和贯穿始终。
Her name is fey , It's a boy.
性别是一条流动的河，活在当下，五味杂陈。强推给所有人！
结尾似乎一切明了，又似乎刚刚拉开帷幕。
每个人都是抑郁的个体
太多精彩的地方，最喜欢第九集，两条线都棒到不行。
第九集最高，其余平平，这季整体有些狗血，Jeffrey Tambor依旧精彩，但我真是很不喜欢她的三个儿女啊，全是神经病，情商为负。
这下好了，一家人都喜欢女人了。。。
第九集的时空交错简直神！电子版的waiting好好听啊
这季感觉真是又姬又犹。我自然是不介意她那么姬，不过不知道普罗大众的回应会怎样。maupa跟妈妈开始像是lesbian couple，大姐第一集来了个lesbian wedding，小妹也直接弯了。carrie brownstein好多戏份，好开心。Cherry jones也很重的角色。
这一季偏心理层面了 每个人的创伤 围绕这个家族的人 每个人都有各自的特点和缺点 而每个人都值得原谅 依然喜欢艾丽
没有第一季那么幽默，越来越sad，让人有点看不下去，但是很鼓励这种TV auteurism。个性一点对电视来说要比电影难很多
第一集婚礼拍得好赞，carrie brownstein的房子装修风格太帅了！
上条标注是以为已经发不出广播了瞎说的一句，还是可看的。然后发现还可以靠标注来发文字广播的！